![]() “They would produce it without us even being there,” Heather notes on the process of recording “There’s A Honey” and “Television Romance.” “Matty and George,” she continues, “they were so busy, we are so busy, with them it worked differently. The band’s third single released, “New Years Eve,” was the first song listeners have heard that wasn’t produced by Healy and Daniels, though it may be difficult to tell since all the primary aspects of what Pale Waves do so well are there, front and center. We’ve shown more of ourselves and are just developing in general.” It kind of works for the first two singles, to have them work on it, but now like, it’s been a different way. have wished us the best and we’ve gone our separate ways because we are both so busy. Maybe interview them then, I’m doing questions about something else.” Doran adds in that she guesses “it will get filtered out anyway because we have done the EP now. ![]() When asked about the constant association with The 1975 and if it is disingenuous to Pale Waves’ own identity, Gracie states, “It sometimes is when an interviewer only asks about that, which is fine. ![]() Speaking with singer/guitarist Heather Baron Gracie and drummer Ciara Doran, it can be felt that this typecasting and constant association to The 1975 will not define them, especially with a new EP expected early this year. Pale Waves was even given the opening slot to The 1975’s recent North American tour, an experience that surely rocketed the band to higher audiences, but has also infused listeners with the idea that the band can be billed as “the female 1975,” something the band doesn’t dwell on too often. The band’s first two singles, “There’s A Honey,” and “Television Romance” were both produced by Matty Healy and George Daniels of The 1975. Lush electronics fill the space between tight rhythms, buzzing guitar riffs, and intoxicating vocal melodies to paint their sound. One of those being Manchester, England’s own Pale Waves, a band that has resonated exponentially in their short year in the spotlight thanks to infectious and meticulously crafted indie pop songs. In October, a judge dismissed an additional libel claim from the musician, alleging Future had made “controlling, dishonest, malicious, unreasonable, evil, (and) conniving” comments on Twitter.Ĭiara, who married American football star Russell Wilson last year, broke off her engagement to the rapper, 33, real name Nayvadius Wilburn, in August, 2014, three months after the birth of their son.As the weather turns colder and harsher in Boston, there are a few things keeping us warm this season. ![]() However, it is unclear if she is still moving forward with that suit.įuture had initially filed a countersuit contesting Ciara’s accusations, but he dropped the action in June (2016). Proving a false light suit would not require Ciara to show she had been financially harmed by Future’s alleged comments. The singer was still suing her ex on the grounds of ‘false light,’ a legal term referring to a person’s right not to have their reputation wrongly portrayed in public. law, a plaintiff must show they have suffered financial damage in order to win a defamation suit In October, TMZ.com reported that the reason Ciara had withdrawn the defamation suit is because she is earning more now than when Future made the alleged remarks and, in U.S. The “Goodies” singer launched a $15 million defamation lawsuit against her ex in February (2016), accusing him of damaging her reputation by knowingly making false and defamatory statements online about her parenting of their two-year-old son Future Zahir.Īccording to reports, the 31-year-old singer’s lawyer Larry Stein filed legal documents withdrawing the claim in October (2016) and documents have now been filed to officially dismiss it with prejudice, which will prevent her from re-filing the suit. (AllHipHop News) R&B star Ciara has officially withdrawn a defamation lawsuit against her ex-fiance Future.
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